Astolfo Maria Cicerano is an Italian artist and architect whose practice moves between installation, sculpture, and architectural research. Born and trained in Italy, he now works between California and Europe, pursuing a Master of Architecture at Woodbury University in Los Angeles.

His work begins with the body, not as subject, but as structural system. Over two decades of practice in painting, sculpture, and spatial installation, Cicerano has developed a methodology that treats biological form as primary architectural intelligence: bones as load-bearing geometries, breath as spatial measure, tension and balance as design principles.

This is not metaphor. It is method.

Projects like Morphological Studies and The Sensitive Machine emerge from this approach: anatomical drawings that function as structural analyses, devices that translate organic logic into built form. Earlier works such as Plug-In (Salerno Archaeological Museum, 2019) and Wooline operate through a different but related logic: the creation of spaces that hold contradiction. A cage full of air. A structure that is simultaneously rigid and ephemeral.

What connects these works is an interest in what architecture can repair. Cicerano does not seek the new. He seeks what is closed and needs to breathe again.

His practice has been exhibited across Italy, France, and the United States, with work shown at the Salerno Archaeological Museum, Palazzo dei Duchi d'Acquaviva di Atri, and during Paris Fashion Week. His research has been featured in Artribune, Exibart, CanvasRebel Magazine, Corriere della Sera, and Segno Online.

Astolfo Maria Cicerano is currently based in California.